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A female artist finishes a painting at the
national museum, Yangon.
Pic: Lwin Maung Maung |
DESPITE the opening of new art galleries, the continuing development
of art techniques, stellar art contests and the emergence of new
artists on the scene, there is a sense that in 2008 the arts community
in Myanmar will have to work even harder to develop their industry.
Artist Min Wae Aung said the opening of new art galleries like
Thamada, Yadanabon, Summit Art Collection II, Park Royal and Yadanapura
in 2007 had been quite a help for Myanmar artists as there are
more places to exhibit and sell their art.
However, some small galleries in Bagan, Mingun and TMT in Yangon
were closed due to some difficulties. Also, fewer art exhibitions
were held in more prominent galleries such as Lokanat and Azada
in Yangon.
Some artists said it is not because of the increasing number
of art galleries but rather the decreasing number of art exhibitions.
“Some artists introduced new media but I didn’t
see anything outstanding this year. The art market was average
this year so many artists, including myself, did not dare to exhibit
solo. As there were fewer tourists than usual, most of the art
galleries didn’t work well,” said modern artist Nyein
Chan Su, the co-owner of Studio Square in Yangon.
For contemporary artist Khin Zaw Latt, 2007’s art market
was not very different from 2006. He held a group exhibition here
in Myanmar and both solo and group exhibitions in Chiang Mai and
Hong Kong.
“I haven’t seen many real changes in the last few
years but it seems to me that there are fewer art exhibitions
of more famous artists,” he said.
According to the gallery owners and artists, the sale of art
was normal at the beginning of the year, dropped mid-year and
recovered slightly towards the end of 2007.
“Even at the time the market was working, only low-priced
artworks by new artists were selling well. Paintings by famous
artists were not in demand and the prices were lower than usual,”
said a gallery owner.
But the year did provide many opportunities for emerging artists.
After only one major competition in 2006, last year several events
including the Alliance Francaise and The Tun Foundation’s
painting contests saw lots of new talent enter the industry.
Female artists held several group shows and there were many
shows by foreign artists, including six solo exhibitions by Serbian
painters throughout the last half of the year.
“I noticed that there were few installation shows this
year. Art sales were not good here. It was better abroad because
art dealers came and took paintings there,” said Min Wae
Aung who held shows in Shanghai and Hong Kong.
While sales in Myanmar were down, the rise of online art sales
and foreign exhibitions saw a lot of work leave the country. This
ultimately helps raise the international profile of the art. With
a new year ahead, the artists of Myanmar are preparing for a promising
future and many colourful new exhibitions.