YANGON Orchestra cellist Saw James Hsar Doe left home in 2008 for Yong Siew Toh Conservatory of Music at the National University of Singapore to hone his skills. On August 1 the 23-year-old jetted back home to Myanmar for an unplugged performance with legendary band Iron Cross and the AOC orchestra.

Timeout: What does AOC mean?

AOC was formed four years ago. It stands for “Attachment of Cloud”.

We know you as a cellist for the Yangon Orchestra. How did you become the conductor for AOC?

Saw James: In the past, I was a leader of AOC so I believe it is because of my familiarity and rapport with AOC, as well as my knowledge of both classical and rock music that enabled me to take on the position of conductor. I consider it a privilege to be at the helm of AOC. It is a position of great responsibility and I hope with God’s help and strength to be able to carry out my duties to the best of my ability. Besides the AOC, I am still involved with the Yangon Orchestra.

How did you and the AOC become involved in the Iron Cross unplugged concert?

The Director of Gitameit Music Centre, Moe Naing introduced me to the manager of Iron Cross. When they got to know AOC better a collaboration resulted.

What can you say of your experience performing together with the band?

It was an eye-opener to perform together with them. In terms of sound amplification and dynamics, AOC had to make adjustments in order to achieve the right sound needed for the performance. For example, we had to change our bowing technique, and increase the volume.

What are the difficulties of combining rock and orchestral music?

It was my first time combining rock and classical music, and we certainly experienced difficulties. The lighting for a rock concert is significantly different from that of a classical concert, and the heat generated from the lights increases the pitch of the string instruments. Smoke was also generated at some point, making it hard for the wind section to play their instruments. We were hard-pressed to keep up with the pace of the audience’s singing because of sound delays caused by the large distance between the orchestra and the audience.

Did you make any special preparations for the concert?

Yes. There was no orchestral score for the string section, so I had to listen to the tracks and write out the arrangements. I also worked on other arrangements with IC’s bass player. Furthermore, in the song Lay Pyay (Breeze) and Yan Thu Ta Htaung (1000 Enemies), I also included my own composition which alternated with the IC music in certain sections, thus resulting in an integration of the genres of classical and rock.

What could you learn from the Iron Cross musicians?

They are indeed masters of their instruments and musical style. I feel we can learn from their skill and knowledge of their craft. Their spirit of unity and heartfelt performance was moving to watch. But there should be better coordina-tion as to who plays the main parts at certain points, and more sensitivity to the dynamics of some pieces.

Why do you think Iron Cross have been at the top for such a long time?

Their passion for the music outweighs financial concerns, and this is what keeps them at the top of their league. Despite their massive popularity, IC still manage to remain humble and down-to-earth.

How well do you think the local audience accepted the orchestral music?

The Myanmar people were very accepting of orchestral music and displayed gracious behavior during the concert. I had the feeling that they truly enjoyed the music.

What challenges do you face studying music in Singapore?

One challenge for me is that I have to keep reminding myself to be extremely exact and precise. Other challenges include having to adapt to the culture of music study here in Singapore, in terms of language and in getting along with students from a variety of cultures and countries.

What will you do after you finish university?

Orchestral music has always been my dream and goal in life. I will definitely apply what I have learnt from my university in a variety of contexts, particularly in the performance of classical music, and hopefully, in being able to direct a reputable orchestra.